“Repetition
in a garden provides structure, flow and impact” writes Nick Turrell in The Garden (January 2015), comparing creating a beautiful garden to
crafting a good speech. He writes that "successful repetition in a garden
context can be just as memorable... [because] a memorable planting composition
carefully placed around a few times, pulls the whole scheme together. But don't
overdo it. No more than three times. Once is an event, twice is a pattern; it's
the third time that it sinks in."
It’s great
advice.
In my jardin d'jour, the silver and raspberry
(and cherry and plum - we are talking colours here, by the way) garden bed
where I've been playing with colours and textures and form (including some
upright foliage of iris and Dierama) but...forgetting structure. It's a bed
reminiscent of Christopher Lloyd's long border (a bold claim, I know) at Great
Dixter, but without, yet, a firm path in front. In any case J would prefer an
informal, slightly winding path so - when we have these mud and mulch paths made
gravel instead - they will not confer much gravity.
Coreopsis rosea `Sweet Dreams’ (above) is bright yet deep pink at its centre, bleeding into near white at petals edge - cheery but not overwhelming. It's not quite the colour I'd planned for my raspberry and silver bed...but I think it adds zest in a close hue. As the bed was planted late, it was one of the first perennials to bloom here, in early summer; now cut back, I thought its flowering season was over...but things aren't always that simple.
Like many
other perennials lately I must have, on planting, taken off a couple of pieces
with roots and shoots and potted them up. Then they were flowering merrily with
glowing cherry-pink daisy heads up above all surrounding foliage amongst the
pots by the back door - in February’s heat - no mean feat. So when I needed a
medium height perennial (about half a metre high) and one with
raspberry-coloured flowers at that, I had one at hand with almost exactly the
right shade and into the bed it was thrust.
Raspberry Salvia, deep
pink paeonies, silver artemisias are all repeated, and at the rear, pink-mauve Phlomis too, which tolerates the severe dry.
Agastache `Aztec Rose’ (above) is
a near-raspberry perennial on 1.2m stalks I’ve repeated too, 3 clumps, weaving
around the silver Tanacetum.
Sedum `Ruby Glow’ (first picture) has
begun flowering over glaucous leaves and this is the best chosen perennial for
the bed yet. Its repeating element is other sedums (like S. `Red Setter’, its reddish leaves an interesting addition rather
than beautiful – so far) as I want to see which looks best along here –
although I am probably happy to keep each, slowly dividing over many years for
several clumps.
My garden
beds usually have bearded iris (if in full sun) or another plant (often another
iris) to give upright foliage for contrast and texture. I really don’t have
enough in my silver bed and so a couple of black bearded iris is a tempting solution
as there are no true pink bearded iris (adding an apricot one here would give
me apoplexy. Seriously) and the blacks are glorious; the grey leaves would fit
nicely here too. (Dieramas are too messy - near the front - when the clump is a
little aged, and just too tall.)
Meanwhile Alexandre
Thomas of Les Jardins Agapanthe in
Normandy (The Garden, May 2011) says
"I am a plantsman and a garden designer and an architect and a decorator.
You need all this to make gardens."
Good
gardens, yes.
Great gardens? I think you need an artist at the helm
along with the design, along with - ideally (but not necessarily) plantmanship,
and constant evaluation.
I don't know
if I am an artist although I certainly have aspirations in that direction. If
colour was the only critirion of import (if only it was that simple!) - then I might
qualify.
But I've
just had a reality check. All those perennials and subshrubs; not enough
structure.
It crashed
down on me yesterday that here was a long border of (mainly) soft perennials
with nothing – nothing! – to hold it together in winter bar some well chosen
and carefully placed hellebores (either red-flowering or silver of leaf). (I am
being pretty harsh – those mounds of Tanacetum
will give form all through winter too.)
I
could add statuary but I have enough in the garden. (“Once is an event”... it’s
too easy to overdo features and my front garden, in particular, is nearly over-tizzed.
“Don't overdo it” writes Nick Turrell and I will try to take his advice here
too.)
An alternate
and more satisfying structural device will be a regular placement of green
spheres.
I've always
loved circles and spheres and the two - however much each is an artifice (just
as is the garden) they are somewhat less so, after all, than squares and cubes.
I'll place
them on one side of the path, amongst the raspberry perennials; the other side
of the path is filled with Hydrangea paniculata
(and pots of this and that, cuttings and seedlings near the back door hose, and
the big pots of cut and come again lettuce).
This
decision is satisfying because it will link the double row of green balls of
Tiny Trev lilly pilly flanking the front path (giving the sun and sky bed more
structure), with the ones flanking paths around the rondel (or circular lawn)
on the other side of the house. But I don't think I'll use Syzigium `Tiny Trev’ again for a few reasons, particularly its
propensity to outgrow its advertised height. Looking for a shrub for my large Cretan
terracotta urn I came across Escallonia
Pink Pixie, a little toughie that grows to 80cm. It has small leaves (important
if clipped); the small pink flowers are acceptable here; and it will, I hope,
stay very neat.
More of this
hardy diminutive shrub punctuating the silver bed – say every 2.5m and a metre
back from the edge – might save this border from becoming an amorphous mess
(which is a little easy to do when you are a plant enthusiast painting a picture
with – mainly - perennials). These will lead to the box-ball-like Syzigium
pairs at every path end around the circular lawn on the other side of the
house. The repeating element will give the garden some unity but I won’t do it
throughout the garden. (Now I am licking my lips in anticipation for winter and
early spring when the balls stand out and the perennials are cut back...and
just a few bulbs are gleefully adding some colour.)
Changing
that repeating element declares a change of tempo; that a new garden area has
been entered, even as they are linked.
Nick Turrell
says of repetition: “don't overdo it” (“No more than three times” rings in the
ears) and while he is referring to a planting composition – and he must be
referring to large gardens! – I am
taking it to heart with my spheres of green too. Three areas containing this
gentle formality, and symmetry of sorts amongst the ephemerals, soft or
exploding (such as Eremurus fireworks
near the back of the border), will be enough for our country garden, and more
than enough for the lover of informality, J. The rest of the garden becomes wilder
as you move away from the house, seemingly unplanned, soft, naturalistic.
My silver
bed merges gently with greys and greens; and purples, pinks and blues, into its
surrounds.
On one side
is the front garden’s sun and sky bed – all blues and yellow – which leads
gently to blues and purples with some grey foliage: a dwarf blue English
lavender teamed with purple-leaf sage, a silver bush with white flowers (Convolvulus), deep blue-purple of rare
perennial Strobilanthes atropurpureus,
Russian sage (Perovskia), lots of
purple iris, Salvia `African Sky’ and
best of all, Sydney-sky blue Salvia
patens, this one a large flower form from Sunnymeade garden, gorgeous. (I
must take cuttings!) I want to add some blue-violet cranesbills here. Then the blues
and purples merge with pink-lilac – penstemons and hefty Madeira Germander (Teucrium betonicum) before the silver
garden roars into life with its raspberry flowers and yes, its pinks and plums
too.
Beyond: a
Pitcher Sage (Lepechinia hastata, left), 2m
high, slightly more green than grey, and – as recently planted – just beginning
its display of bright but highly saturated, or dark, pink-lilac salvia-like
flowers; some bearded iris, grey sword leaves thrusting skywards; pink oriental
poppies for spring; and, near the front, sweet pink Californian poppies, their
grey ferny foliage perfect for this spot. (Called `Purple Gleam’ they are a
lovely pink, see above).While this area seems to be pink rather than purple,
it’s near the herb patch by the kitchen door. I’ve a spare purple-leaf culinary
sage and I think this will link these areas a little, especially when the
culinary sages all show off their pretty blue flowers in late spring.
Over in the (new)
herb garden near the kitchen I feel like my perennials are being pushed further
and further away. This is mostly a problem because the heights of the plants
look all wrong. I know J doesn’t like iris but one could say, surely! – that
the iris from which orris root is produced, similar to this bearded iris I
photographed along Italy’s coastline in the Cinque
Terre (above) – this belongs amongst other Mediterranean coastal herbaceous
plants (like sage, thyme and so on); habitat, not use linking the plants (for
me: I haven’t used orris root to fix the perfume in home-made pot pourri for a
long time) – but I think it fits. My plant is Iris pallida `Amethystina’ (below) from (again!) Lambley’s and is a
particularly lovely soft lilac. A compromise is clearly required so I’ll move
some, but maybe not all, of the iris.)
A similar
size shrub, heliotrope, would look nice along a bit and add structure amid the
perennials; its purple flowers are scented sweetly of vanilla and bloom through
the warm months - even longer when the shrub is in full sun. It’s tempting to add
more perfumed plants: fragrant herbs opposite the culinary herbs, especially
ones that could be picked for say, an old fashioned pomander, seem very apt. White
Bouvardia, chocolate cosmos (not
quite the right colour), Nicotiana
sylvestris and some of the unusual daphnes immediately flood the
imagination too. Perhaps a perfumed-leaf geranium (as us Australians call Pelargoniums); there’s one in a pot of course, a rooted cutting of one
which, when you crush a leaf, has a scent somewhere between mint and gum tree
leaves. Some green-leaf cranesbills (true Geranium)
in the shadehouse would be a great addition here, as well; too much grey is
dismal, for me, anyhow.
There’s a
pink-lilac penstemon along here and through the warm months, at least, it links
these pink-purples to the nearby pink and burgundy roses around my circular
lawn.
It will be interesting to see
this garden area evolve. And a whole lot of fun.
Jill Weatherhead is
horticulturist, writer, garden designer and principal at Jill Weatherhead Garden Design who lives in the Dandenong Ranges east of
Melbourne, and works throughout Victoria (
www.jillweatherheadgardendesign.com.au)